Robert Hiini
Michael Galovic and the Marists
Michael Galovic isn’t interested in playing it safe and neither, evident-
ly, are the Marists who have commissioned the Central Coast icon-
ographer and painter again and again over the past twenty-one years,
resulting in works at once reverent and penetrating.
It’s the way art is meant to be, Mr Galovic told Marist brothers and
principals at the 16 March launch of Galovic and the Marists, an illus-
trated book commemorating the relationship, with commentary by Br
Michael Green FMS.
“(As an artist) you must try to dig out things from yourself, things
you never knew existed – that you are incapable of,” Mr Galovic told
the gathering.
“It can be so powerful – aesthetically, artistically, spiritually – that
it engages the viewer, that it starts the dialogue.
“The questions (then) come: why is it like this and why not like
that? Anything, brothers, anything but indifference is good.”
The Yugoslavia-born Galovic has been constantly re-creating and
re-imagining his craft for the past 47 years, the last 27 spent in Aus-
tralia.
His work now adorns Catholic, Orthodox and Anglican churches
and colleges throughout Australia, and further afield.
As a corpus, it is an amalgam of, on the one hand, traditional icon
painting – sometimes called writing – in which 90 per cent of a work
might be copied from earlier antecedents – and on the other, more
conceptual works that pursue abstract depiction where purely illustra-
tive modes might prove insufficient.
Marist provincial Br Peter Carroll spoke of the book, and of Mi-
chael Galovic’s work more generally, as a confluence of “Athens and
Jerusalem” – of the cerebral and the visceral.
“Beauty is something that we all aspire to, particularly these days
when the situation in our world is so difficult and so fraught,” Br Car-
roll said.
“Most of all ... it’s in the goodness of God. There (in Michael Galo-
vic’s art) is an invitation to meet the God that we all aspire to.”
Speaking at Marist Brothers HQ in Mascot to a gathering that
largely consisted of Marist Principals from throughout Australia, Br
Carroll recounted the prescriptive longing of the Russian novelist and
journalist, Fyodor Dostoyevsky, that “beauty will save the world.”
“That beauty is captured here: it’s captured in the lives of Marists;
it’s captured in our founders; and it’s captured in the people.”

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