Two Civilizations in Europe

(Cyrillic alphabetical) clock (which instead of numbers have alphabet-
ical signs), but erroneously:
a. the letter “ A / Az ” was put in place of the number 1;
b. and the ligature of the letter “ Б/В ” (Latin: “ B / V ”) was put, also
incorrectly, in place of the number 2.

The Vinca AzBuka (Cyrillic) numbers was also preserved in the math-
ematics of Mesopotamia, where the numbers 3, 4, 5, 12, and 60 were
considered diVine numbers, only because the ancient KoloVeny in
Vinca and Lepensky Vir divided the sky into three crosses to make
it easier to track this apparent movement of the Sun. Since each cross
has four ends 3 x 4 and there are 12 that we see on every watch, with
five points between each (alphabet) number, that is, circles which like
papillary circles (patterns – translator’s note) are visible on five fingers
of each person.
Scientists, and especially those who would imagine science as an
eternal, once and for all given dogma, will discuss this for a long time,
as it always happens with every scientific paradigm – a new basis for science.
However, I am sure that every time on June 21st and 22nd, at 6:06
in the morning there will be more and more people from and outside
Serbia in and around the Lepensky Vir Museum to see this magnifi-
cent birth of the Sun over Treskavac Hill. If there are clouds or rain,
they will not lose anything.
Only then will they understand the greatness of our ancestors, who
noticed the mathematical, annual, universal (koloDar, calenDared)
cyclicality through this phenomenon, which was the foundation of the
emergence of culture, the origin of the Vedas / knowledge that we call
science today, and the origin of civilization. We will understand the
magnitude of scientific discoveries thanks to which this knowledge
has been updated. We will understand the significance of those images
that were provided to us by Alexandra Baiich and the architect Hris-
tivoye Pavlovich. And those visitors of Lepensky Vir, even these days,
will take pictures of these sunrises of divine beauty and meanings be-
cause many magazines will publish them.
In the ancient world, the Slavs represented light and darkness as
the unity of what we today call linear culture (daytime cyclicity of day
and night). We, at today's abstract level of thinking, do not understand
this, although it cannot be denied that the night is good for people to
relax. If these people, and especially young people, do not understand,
this can jeopardize their nerve fibers.
Therefore, the statement of Sreyovich, to which Hristivoye Pav-
lovich also refers, that “the play of light and shadow in Lepensky Vir
periodically reaches the size of hieroFania / hijerofanije” (from the
Greek hijeros, which means light and fainein, which means revelation,
but not churchly, secular) looks like a poetically beautiful majesty of
light and the undeniable holiness of Lepensky Vir, but it can also be a
misunderstanding of this ancient unity of day and the significance of
darkness, night for man.
The divine reunion of the “male” (Solar) and “female” (Mother
Earth) Origins over the Treskavac hill was reflected in a column with
a fork (as an architectural, supporting wooden column, not only the
dwellings of Lepensky Vir, but also Vinca), which ended with oarlocks
/ horns, in which the second trunk of the tree was laid, on which they
saw the Solar ANNUAL (GOD) rings. Therefore, even today the Serbs,
when they raise the roof, say that they raise the horns, and they glorify it.
This is a logical and original architectural explanation, that in later civil-
izations other peoples will call akhet: a divine phenomenon (source),
above the mountain, where the Sun is born at the time of important pre-
cursors of changes in nature. This Bowkie / divine sign, as an ideogram,
is present also on the “Pitos from Vinca”, and on many tombstones of
our ancestors BogoMiles, who called themselves “krstiani / peasants”
long before the advent of Christianity, because on the cross:
1. The vertical line is the sign of the Sun;
2. the horizontal line is the sign of Mother Earth, and since then the
cross has been a sign of the totality: Kolo.
Historiography in Greek and Roman times was the basis for the
conquest of peoples and was used by the colonial powers (and still
serves in neocolonial campaigns around the world), for the conquest of
peoples, through an imposed past to design the needed future. It is this
historiography that constantly offers the idea that humanity is a geno-
cidal mechanism in which some peoples disappear and others appear
as new civilizations, while only Rome is the eternal “perpetum Mobile”
(‘eternal engine’ – translator's note) of this movement , in which there
is a “divine law”, supposedly known only to Rome.
Napoleon followed the same logic in the conquest of the peoples
of Europe, superimposing on it again the old proven technology of
"natural law", which was in the function of his almighty army, which
spread the world industrial revolution and the new global structure
of the world. German cities united, not only into city alliances, but
also into corporation guilds, in which they forged defense against
Napoleonic globalism, increasing the quality of their products and the
responsibility of their members in the market, which today is the basis
of Germany’s economic power.
But the main resistance to Napoleon’s globalism and absolutism
included not only the new high-quality industrial means – the prod-
ucts of German workshop associations, but also the “historical school
of law”, with which German scholars, led by legal scholars such as
Savigny and Puchte, opposed the “common, natural law of a higher
mind” (by which, he conquered the peoples, even after he suffered a
military defeat). the natural law of a higher mind ”(by which, he con-
quered the peoples, even after he suffered a military defeat). Napo-
leon’s globalists propagated common, natural law, this time based, not
on divine ancient law, or medieval law, but on some kind of “higher
mind” law. According to the German Historical School, the right of
each nation corresponds to the degree of historical development of the
society of each individual nation. Today, Germany is the bearer of a
new globalism, and imposes the image of the organization of society
on other states even by participating in the avia-bombing (Federal Re-
public of Yugoslavia), which confirms the ancient Slavic Veda / phil-
osophy: “Everything is – Kolo / Circle ”.
And just at the Pokrovsky Cathedral Church on PreKrasnaya (pre-
Red) Square in Moscow, the central dome is the symbol of the ancient
“Az” (a circle and two sunbeams along which cyclic, circular spirals
descending), and the location of the other domes of the temple explains
what “Az” is ( the central dome), because the four large domes form the
cross of the Sun with their symmetry, while the four small domes form
the cross of the Earth, which revolves around the Sun and creates the
ANNUAL (GOD) Resurrection of nature. That Kolo, creating the wed-
ding life cycle (Earth and Sun) on the planet Earth (Sun Halo/crown
of life on Earth), comes from an understanding of the ancient SlaVs
(who called themselves KoloVeny because of that), it materialized in
the cross section of the tree in the form of ANNUAL (GOD) rings,
with which the ancient Slavs discovered KoloDar as secret knowledge
that we today simply call “calenDar”.
This could have looked like an explanation, as well as an arbitrary
explanation, if there hadn’t been a “knemid” (popliteal shield) from
Gornia Vinca, on which there is the same pattern, where four large
circles form the cross of the Sun and four small circles form the cross
of Earth, which revolves around its chaste sun. The value of this “pop-
liteal shield” (the shield of a warrior from Gornja Vinca, currently
the Republika Srpska, the era of Glasinac culture – about 1800 BC)
is also in the fact that it contains the ideographic sign “Kolo” in the
central part, which is identical to the sign found by the American ar-
chaeological expedition in the capital of Lydia - the city of Sard, (Sart
/ Sardis) on a stone pillar, in the form of the ancient name of the Slavs
VinyK(olo). The same “Kolo” sign is depicted on the floor of an ancient
Slavic temple in the city of Sard, in ten different forms of Kolo clarify-
ing its various worldview aspects.
This is absolutely wrong and it is not possible to require the young
people to develop their architectural talent on the basis of a miserable
and illogical legend supported by the emperor (a monopoly of physical
coercion, which also served to falsify the history and history of art),
with which territorial culture was established, on the basis of which
the Latins appropriated the history and culture of Russia, as an eternal
personal, patronymic civilization of tolerance for diversity.
In the book: “KoloVeny / Slavs and the Continuity of Culture and
Law”, on the basis of recent scientific research, I presented evidence
that the capital came from the worldview (view of the world) of the
ancient SlaVian / KoloVen era of Lepensky Vir and Vinch “Everything
is Kolo / Circle ”, because in the normal cross-section the capital ex-
pressed and expresses Kolo:
a. circle (God – Kolo) on Doric capitals, and the same in form;
b. two equilateral crosses (God – Kolo), which contain on the Cor
inthian capital: